| 1. | And the yellow-blue countenance see. - from Leaves of Grass by Walt Whitman |
| 2. | changing countenance 'only two of 'e. - from Oliver Twist by Charles Dickens |
| 3. | With borrowd light her countenance trifor. - from Paradise Lost by John Milton |
| 4. | Heathcliff's countenance relaxed into a grin. - from Wuthering Heights by Emily Bronte |
| 5. | Marianne's countenance was more communicative. - from Sense and Sensibility by Jane Austen |
| 6. | The contrast between the countenance and air of Mr. - from Emma by Jane Austen |
| 7. | As the trial had proceeded, her countenance had altered. - from Frankenstein by Mary Wollstonecraft (Godwin) Shelley |
| 8. | I sought in her countenance and features a likeness to Mr. - from Jane Eyre by Charlotte Bronte |
| 9. | Passepartout did not change countenance on hearing this name. - from Around the World in 80 Days by Jules Verne |
| 10. | Some with oval countenances learn'd and calm. - from Leaves of Grass by Walt Whitman |
| 11. | From the open countenances of animals or from inanimate things. - from Leaves of Grass by Walt Whitman |
| 12. | Looking from no countenances of their own, but from the countenance. - from Leaves of Grass by Walt Whitman |
| 13. | From the countenances of children or women or the manly countenance. - from Leaves of Grass by Walt Whitman |
| 14. | You human forms with the fathomless ever-impressive countenances of brute. - from Leaves of Grass by Walt Whitman |
| 15. | The artistic thing is, to unmask honest countenances it's no light task, I admit, but a real art.. - from Around the World in 80 Days by Jules Verne |
| 16. | The countenances of Cynthia and Nibs were suddenly petrified into a stern and forbidding expression. - from The Mysterious Affair at Styles by Agatha Christie |
| 17. | Two youths with foolish and cheery countenances were being piloted over, and she threw at them the same quick glance of unconcerned wisdom. - from Heart of Darkness by Joseph Conrad |
| 18. | I perceived that the words they spoke sometimes produced pleasure or pain, smiles or sadness, in the minds and countenances of the hearers. - from Frankenstein by Mary Wollstonecraft (Godwin) Shelley |